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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">religion</journal-id><journal-title-group><journal-title xml:lang="ru">Государство, религия, церковь в России и за рубежом</journal-title><trans-title-group xml:lang="en"><trans-title>State, Religion and Church in Russia and Worldwide</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2073-7203</issn><issn pub-type="epub">2073-7211</issn><publisher><publisher-name>РАНХиГС</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.22394/2073-7203-2022-40-3-168-211</article-id><article-id custom-type="elpub" pub-id-type="custom">religion-140</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ГЛАВНАЯ ТЕМА: РЕЛИГИЯ В МЕНЯЮЩЕЙСЯ АФРИКЕ: ИСТОРИЯ И СОВРЕМЕННОСТЬ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>THE THEME OF THE ISSUE: RELIGION IN CHANGING AFRICA: HISTORY AND CURRENT DEVELOPMENTS</subject></subj-group></article-categories><title-group><article-title>Ориша в кубинской сантерии: от ритуальной площадки к музею и обратно</article-title><trans-title-group xml:lang="en"><trans-title>Orisha in Cuban Santeria: From the Ritual Site to the Museum and Back Again</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Христофорова</surname><given-names>О.</given-names></name><name name-style="western" xml:lang="en"><surname>Khristoforova</surname><given-names>O.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Ольга Христофорова — профессор</p><p>Москва</p></bio><bio xml:lang="en"><p>Olga Khristoforova — Professor</p><p>Moscow</p></bio><email xlink:type="simple">okhrist@yandex.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru">Российский государственный гуманитарный университет<country>Россия</country></aff><aff xml:lang="en">Russian State University for the Humanities<country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2022</year></pub-date><pub-date pub-type="epub"><day>22</day><month>02</month><year>2025</year></pub-date><volume>40</volume><issue>3</issue><fpage>168</fpage><lpage>211</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Христофорова О., 2025</copyright-statement><copyright-year>2025</copyright-year><copyright-holder xml:lang="ru">Христофорова О.</copyright-holder><copyright-holder xml:lang="en">Khristoforova O.</copyright-holder><license license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://religion.ranepa.ru/jour/article/view/140">https://religion.ranepa.ru/jour/article/view/140</self-uri><abstract><p>В статье на основе полевой работы автора на Кубе в 2013–2016 гг. исследуются способы визуализации и шире — материализации ориша, божеств афро-кубинского культа сантерия (регла лукуми, регла де оча-ифа). Проанализировав контексты и модели материализации духовных агентов, а также практики взаимодействия с ними, мы рассматриваем их историческую динамику и связь с определенными дискурсами и идеологическими нарративами. В центре внимания — середина 2010-х гг., время, которое характеризуется интересными процессами в кубинской культуре и общественной жизни — в частности, появлением ощутимых результатов начавшегося в 1990-е гг. изменения отношения и к религии, и к африканскому наследию.</p></abstract><trans-abstract xml:lang="en"><p>The paper is based on the author’s field work in Cuba in 2013– 2016. It discusses the methods of visualization and, more broadly, the materialization of orishas, the deities of the AfroCuban cult of Santeria (Regla Lucumi, Regla de OchaIfa). After analyzing the contexts and models of the materialization of spiritual agents, as well as the practices of interaction with them, the author considers their historical dynamics and connection with certain discourses and ideological narratives. The focus is on the situation of the mid2010s. This time is characterized by significant processes in Cuban culture and public life, in particular, the emergence of tangible results of the change in attitudes towards both religion and African heritage that began in the 1990s.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>афро-кубинские культы</kwd><kwd>сантерия</kwd><kwd>регла де оча-ифа</kwd><kwd>ориша</kwd><kwd>йоруба</kwd><kwd>лукуми</kwd><kwd>визуальные модели</kwd><kwd>музей</kwd><kwd>ритуал</kwd></kwd-group><kwd-group xml:lang="en"><kwd>Afro-Cuban cults</kwd><kwd>Santeria</kwd><kwd>Regla de Ocha-Ifa</kwd><kwd>orisha</kwd><kwd>Yoruba</kwd><kwd>Lucumi</kwd><kwd>visual models</kwd><kwd>museum</kwd><kwd>ritual</kwd></kwd-group><funding-group xml:lang="ru"><funding-statement>Статья выполнена в рамках реализации государственного задания по проекту FSZG-2020-0019 (номер государственной регистрации АААА-А20-120070890028-5) «Этническая семиотика и семиотика культуры: историография и современные подходы».</funding-statement></funding-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Александренков Э. 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