religionГосударство, религия, церковь в России и за рубежомState, Religion and Church in Russia and Worldwide2073-72032073-7211РАНХиГС10.22394/2073-7203-2022-40-2-277-304religion-126Research ArticleVARIAVARIAТрадиция как игра? Ортодоксия, эстетика и ирония в католическом традиционализмеTradition as Play? Orthodoxy, Aesthetics and Irony in Catholic TraditionalismХониневаЕ.KhoninevaE.

Екатерина Хонинева — младший научный сотрудник;

младший научный сотрудник Лаборатории антропологической лингвистики;

лаборант Отдела этнографии восточных славян и народов европейской части России;

Санкт-Петербург

Ekaterina Khonineva — Junior Research Fellow;

Assistant;

Junior Research Fellow at the Institute for Linguistic Studies

St Petersburg

ekhonineva@eu.spb.ruЕвропейский университет в Санкт-Петербурге; Европейский университет в Санкт-Петербурге; МАЭ им. Петра Великого РАН (Кунсткамера)РоссияEuropean University at St Petersburg; Peter the Great Museum of Anthropology and Ethnography, Russian Academy of Sciences; Institute for Linguistic Studies; Russian Academy of SciencesRussian Federation202217022025402277304Copyright © Хонинева Е., 20252025Хонинева Е.Khonineva E.This work is licensed under a Creative Commons Attribution 4.0 License.https://religion.ranepa.ru/jour/article/view/126

В статье рассматривается повседневный обиход одной католической традиционалистской общины в Санкт-Петербурге — последователей Братства Св Пия Х. Поскольку после Второго Ватиканского Собора в Католической Церкви произошла ревизия традиционной католической эстетики — в первую очередь в литургическом контексте, но также и в других областях повседневной религиозной жизни, традиционалисты, находящиеся в оппозиции к современному церковному мейнстриму, стремятся восстановить ортодоксальное видение эстетики. Это реализуется в рамках самостоятельной организации Тридентской мессы и рефлексии об упадке литургического благочестия в связи с литургической реформой. Также поиск традиционалистами связей между ортодоксией и сферой прекрасного распространяется и на области повседневной жизни традиционалистов, где они скрупулезно выстраивают образ эстетически выверенного традиционного уклада. Эта скрупулезность зачастую дает основания наблюдателям сравнивать традиционалистов с «ролевиками» и реконструкторами, а их религиозные практики с игрой, что и обыгрывается последователями Братства в иронической модальности. Опираясь на работы антропологов религии Саймона Коулмана, Джона Элснера и Тани Люрман, автор показывает эпистемологические переплетения между верой и сомнениями, ортодоксией и креативностью в современном движении католического традиционализма.

This article examines the daily life of one Catholic traditionalist community in St. Petersburg, the followers of the Society of St. Pius X. As the Catholic Church has undergone a revision of traditional Catholic aesthetics since the Second Vatican Council (primarily in the liturgical context), traditionalists have sought to restore an orthodox vision of aesthetics. This goal is realized in the autonomous organization of the Tridentine Mass and the reflections on the decline of liturgical piety. The traditionalists’ search for connections between orthodoxy and the realm of beauty also extends to the areas of everyday life, where they meticulously construct an aesthetically verified traditional image. This scrupulousness often gives grounds for observers to compare traditionalism with a play, which is reflected by the Society’s followers in the ironic modality. Drawing on the work of anthropologists Simon Coleman, John Elsner, and Tanya Luhrmann, the author shows the epistemological entanglements between seriousness and irony, orthodoxy and creativity in the contemporary Catholic Traditionalist movement.

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The authors declare that there are no conflicts of interest present.